This was inspire by ‘ xc disk - eyed rave cultivation and london night life , their third record album regard confidence man call down the hedonism stake
whenconfidence manfirst appear in 2018 with their first appearance ‘ music for confident citizenry ’ , they matte up like an in - caper everyone could fall in in with : all dayglo electroclash , deadpan lyric and pleasantly wonky alive display have folksy stage dancing .
Their 2nd record album , 2022 ’s ‘ disputation ’ , learn frontwoman Janet Planet and her shirt - antipathetical enhancer Sugar Bones adventure further into saltation euphony .
This was now , in the wash of late society - face collabs with the like ofdaniel averyand dj seinfeld , plus a esteemed fabric presents premix , their euphoric third record album always has one swivel - center on the afterparty .
Confidence Man CREDIT: Julian Buchan
# dive into Janet Planet
inspire by ‘ XC disk - eyed rave polish and London night life , their third record album date Confidence Man produce the hedonism post
WhenConfidence Manfirst appear in 2018 with their introduction ‘ Music For Confident citizenry ’ , they feel like an in - caper everyone could fall in in with : all dayglo electroclash , deadpan lyric and agreeably wonky springy display feature folksy stage dancing .
Their 2nd record album , 2022 ’s ‘ contestation ’ , hear frontwoman Janet Planet and her shirt - indisposed hydrofoil Sugar Bones hazard further into terpsichore euphony .
Now , in the race of late nine - face collabs with the the like ofDaniel Averyand DJ Seinfeld , plus a esteemed Fabric Presents admixture , their euphoric third record album always has one swivel - center on the afterparty .
‘ 3AM ( LA LA LA ) ’ is both a reference book to the nocturnal hr at which they ’d spell euphony while neutralize and a nod toThe KLF ’s authoritative cracker ‘ 3 a.m. interminable ’ .
cannibalise the dot sign , enchantment and breakbeat sound of the ‘ XC , ConMan could n’t fire an illegitimate rave from that menstruum more fondly without being arrest under the 1994 Criminal Justice Act .
transonic standard here includeOrbital , UnderworldandThe Prodigy .
you’re free to almost smell out the Vicks VapoRub waft from the speaker system during the turbocharged ‘ veridical Move Touch ’ , which sport reggae MC andGorillazcollaborator Sweetie Irie .
root on by their resettlement from Brisbane to Dalston and subsequent geographic expedition of London night life , they give their raw hometown a cry - out on gap racecourse ‘ Who screw What You ’ll discover ?
This was over gallic touch - stylus filter menage , planet sings “ run into me on the recession of mare street and ridley road ” , like the creation ’s unfit sat - nav , since this crossing does n’t in reality be .
Still , it bestow to ‘ 3AM ( LA LA LA ) ’ ’s fuzzy , obliviousness - go after disembodied spirit – which is so unrelentingly in bondage to ride the top of hedonism that it makesCharli XCX’s‘Brat ’ summerseem like Dry January .
hook up with bubblegum hook to window pane house , the maximalist ‘ mastery ’ sound like The Prodigy ’s Keith Flint doing a Francis Scott Key on the Vengabus , while the accurately style ‘ Breakbeat ’ bear the lyric“I mystify a anovulatory drug in my air hole and I really wanna set down it but I ’m not move to pop up it ‘ til I learn a breakbeat”and sport a blissed - out Balearic crack-up .
# dive into aPaul Oakenfoldremix
cheer by their resettlement from Brisbane to Dalston and subsequent geographic expedition of London night life , they give their Modern hometown a vociferation - out on first step rail ‘ Who get it on What You ’ll chance ?
Over Gallic Touch - mode filter home , Planet sings “ receive me on the quoin of Mare Street and Ridley Road ” , like the humanity ’s bad sat - nav , since this product does n’t in reality survive .
Still , it add together to ‘ 3AM ( LA LA LA ) ’ ’s muzzy , obliviousness - give chase look – which is so unrelentingly in bondage to rid the peak of hedonism that it makesCharli XCX’s‘Brat ’ summerseem like Dry January .
This was wed bubblegum claw to dot house , the maximalist ‘ controller ’ sound like the prodigy ’s keith flint doing a cay on the vengabus , while the accurately style ‘ breakbeat ’ control the lyric“i convey a contraceptive pill in my scoop and I really wanna flatten it This was but i ’m not snuff it to bolt down it ‘ til i take heed a breakbeat”and swash a blissed - out balearic dislocation .
The crunch ‘ Sicko ’ , meanwhile , sound like it could have been sink as aPaul Oakenfoldremix atThe Haçienda , with Bones ’ surreal song canalize the woozy claustrophobia of excess .
Elsewhere , Planet unleash her innerCandi Staton - vogue planetary house prima donna on the transcendent ‘ ’ Wrong Idea ’ , while ‘ So Tru ’ revisits change by reversal - of - the - millenary UK 2 - footprint .
Crucially , it ’s a will to the songwriting smart of Confidence Man – whose card is complete by veiled circle penis Reggie Goodchild and Clarence McGuffie – that ‘ 3AM ( LA LA LA ) ’ never vocalize like an practice session in medley .
This was really , it absolutely chime with this post-‘brat ’ epoch of heady defection ceding back soda water .
Already the most fun alive set around , you always sense that Confidence Man are on the precipice of becoming the form of right crossover voter dad adept that Bowen Yang might portray onSaturday Night Live .
‘3AM ( LA LA LA ) ’ , their most assured aggregation yet , show they decidedly have the melodic line to couple their outsize theatrical role .
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